Trailer Watch: Sing (2016) updated

New Trailer (#2)

Sing, updated

Preview Link: CLICK HERE for all of the new content as well as the original.

The DVD Report #486

54The Weinsteins (Harvey and Bob) are notorious for making drastic changes to films before their release, none more so than the 1998 Miramax release 54, which had been written and filmed by its writer-director Mark Christopher as Saturday Night Fever meets Cabaret but came across as a poor man’s Thank God It’s Friday. The gutted release version appalled audiences and critics alike. Instead of a two-hour film in which character development forms the crux of the narrative, we got a version that excised 45 minutes of plot and substituted 35 additional minutes of anonymous people dancing to disco music.

Seventeen years after the fact, Miramax, which in the interim had undergone several leadership changes, allowed Christopher access to an incomplete working print of the film to which he added several lost scenes from his own daily VHS prints. He also had star Ryan Philippe record a new voice-over opening and re-record several muted dialogue scenes as well. Released in 2015, 54: The Director’s Cut is a film that while far from great, gives us something a lot more substantial than the travesty that was originally unleased upon us.

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This Day in Oscar History: May 31 (2016)

Here’s what happened today in Oscar History.

Born

Died


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Poll: Now That You’ve Seen “X-Men: Apocalypse”

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Now That You’ve Seen X-Men: Apocalypse…?

Cinema Sight Asks: Now that you've seen "X-Men: Apocalypse," which new cast member is best?

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Film Preview: Beauty and the Beast (2017)

Page Revisions:

(May 29, 2016) Original

Release Date:

March 17, 2017

Synopsis:

From IMDb: “An adaptation of the classic fairy-tale about a monstrous prince and a young woman who fall in love.”

Poster Rating: –


Review: There was no poster immediately available for my review. Should one become available in the future, this section will be updated.

Trailer Rating: B+

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Review: Anyone who’s a fan of the original movie will certainly fill with emotion at the first strains of the opening music. The sumptuous detail of the castle gives one hope, but there just isn’t enough to be able to verify that it’s going to live up to the original.

Oscar Prospects:

The original animated feature was a major Oscar nominee, the first animated feature ever nominated for Best Picture. I doubt this one can accomplish that, but it’s sure to be in play for several design nominations.

Trailer #1

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Oscar Preview: Weekend of May 27-29, 2016

We had two films release this past weekend with the potential for Oscar nominations.

Alice Through the Looking Glass

When Tim Burton brought his vision of the classic Lewis Carroll novels to the big screen in 2010 with Alice in Wonderland, a new era was born. This era featured Disney almost annually resurrecting its legendary animated films in stylish live-action versions. The original still remains the most successful in terms of Oscar recognition with three nominations and two victories.

Burton’s films have always been key players in the creative categories, and his films’ wins have also been a fairly common occurrence. That’s why the film won Best Art Direction and Best Costume Design. The Visual Effects nomination was always a long shot, so its failure was expected.

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The Morning After: May 30, 2016

Welcome to The Morning After, where I share with you what movies I’ve seen over the past week. Below, you will find short reviews of those movies along with a star rating. Full length reviews may come at a later date.

So, here is what I watched this past week:

X-Men: Apocalypse


As Disney/Marvel continues to dominate the box office with its Aveners team-ups, Fox has been successfully leveraging their X-Men franchise to keep a strong competition going. With Deadpool earlier this year, they proved that they have plenty of capacity to grow the series and keep fans enthused. With X-Men: Apocalypse, the younger version of the original cast have settled into their roles in Bryan Singer’s long awaited fourth outing in the universe.

With a title and a villain like Apocalypse, having massive destruction was to be expected and they certainly deliver. Most of the catastrophe is limited to Cairo, Egypt and its ancient region, but the Xavier mansion gets plenty of attention as well. One should expect a visual effects extravaganza and it delivers in spades. Perhaps there are too many effects, but they are done with some level of creativity from the chilling flowing light effects that filled the stone tables on which Apocalypse transfers his essence to the fascinating pyramidal construct that is the final set piece. There are plenty of effects given to each character’s fantastic powers as well, making for a visual feast.

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This Day in Oscar History: May 30 (2016)

Here’s what happened today in Oscar History.

Born

Died


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Poll: What Are You Most Anticipating? (Jun. 2016, Limited)

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What Are You Most Anticipating? (Jun. 2016, Limited)

Cinema Sight Asks: Which June 2016 limited release are you most anticipating?

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Film Preview: Mike and Dave Need Wedding Dates (2016)

Page Revisions:

(May 22, 2016) Original

Release Date:

July 8, 2016

Synopsis:

From IMDb: “Two brothers place an online ad to find dates for a wedding and the ad goes viral.”

Poster Rating: B- / C-

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Review: (#1) It has a bit of sexy, a bit of humor and a bit of everyone in the cast. That is probably the best we’re going to do since it isn’t very exciting artistically or structurally. (#2) This is dull and misogynistic. For a film that tries to paint itself as feminist friendly with it strong female stereotypes, looking like a playboy fantasy doesn’t help much.

Trailer Rating: C / C-

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Review: (#1 & #2) This green band/red band trailer set at least has some distinctive elements between the trailer. The latter may be more detailed in its plot verification, but it ultimately fails to provide the necessary comedic touches to explain why the film needed to be R-rated in the first place.

Oscar Prospects:

None.

Trailer #1

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Weekend Preview: Jun. 3-5, 2016

Below are six previews for films opening next weekend.
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Film Preview: The Fits (2016)

Page Revisions:

(May 29, 2016) Original

Release Date:

June 3, 2016

Synopsis:

From IMDb: “While training at the gym 11-year-old tomboy Toni becomes entranced with a dance troupe. As she struggles to fit in she finds herself caught up in danger as the group begins to suffer from fainting spells and other violent fits.”

Poster Rating: C+ / C- / C

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Review: (#1) A dance-inspired, visually inventive design. It lacks depth or pizzazz, but for the film in question, it does a sufficient job of espousing creativity. (#2) I’m not exactly sure how this is germane to the film’s premise, but even if it were, the garish color scheme and minimalist design is ineffective. (#3) A simple design with the protagonist proudly displayed. I doubt it will sell many tickets, but it’s not awful for the film in question.

Trailer Rating: B

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Review: The blend of music, fresh cuts and dramatic expression make this look a lot more interesting than a more subdued or more traditional trailer might have.

Oscar Prospects:

None.

Trailer #1

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Film Preview: The Final Master (2016)

Page Revisions:

(May 29, 2016) Original

Release Date:

June 3, 2016

Synopsis:

From IMDb: “A Wing Chun master has to defeat 8 martial arts schools to open his own school, yet he has become a chess piece to the local power dynamics.”

Poster Rating: C+

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Review: A jumbled design that tries to go for an epic approach, but ends up deep in the mediocrity weeds.

Trailer Rating: C / C

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Review: (#1 & #2) These two trailers try to achieve different goals, but neither is immediately successful. The first feels like it wants to focus on action heavy theatrics while the second feels like it’s trying to cast a warm, romantic glow over the film. Is it a combination or do the trailer makers not know how to adequately sell the product?

Oscar Prospects:

None.

Trailer #1

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Film Preview: Approaching the Unknown (2016)

Page Revisions:

(May 29, 2016) Original

Release Date:

June 3, 2016

Synopsis:

From IMDb: “An American astronaut prepares for a mission to Mars.”

Poster Rating: C

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Review: The Red Planet (Mars) isn’t actually reflected in the visor, just sort of superimposed, which makes the premise of the design crumble.

Trailer Rating: C+

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Review: Modestly contemplative, the trailer sets this up as a more subdued version of films like Gravity and Interstellar, but it lacks the emotional resonance of those pics, at least in the trailer.

Oscar Prospects:

None.

Trailer #1

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This Day in Oscar History: May 29 (2016)

Here’s what happened today in Oscar History.

Born


Died

Released


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