The 6th Academy Awards (1932/33): Nominees and Winners

NOMINATIONS

AWARDS

  • 4
  • 4
  • 4
  • 3
  • 3
  • 2
  • 2
  • 2
  • Cavalcade
  • A Farewell to Arms
  • Lady for a Day
  • I Am a Fugitive from a Chain Gang
  • Little Women
  • 42nd Street
  • The Private Life of Henry VIII
  • State Fair
  • 2
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • 1
  • Cavalcade
  • A Farewell to Arms
  • Krakatoa
  • Little Women
  • Morning Glory
  • One Way Passage
  • The Private Life of Henry VIII
  • So This Is Harris
  • The Three Little Pigs
  • NOMINATION/WIN TALLY LEGEND
  • Best Picture winner
  • Best Picture nominee
  • Nominations are listed for all films receiving 3 or more

PICTURE (Outstanding Production)

  • Cavalcade - Fox
  • A Farewell to Arms - Paramount [came in 2nd]
  • 42nd Street - Warner Bros.
  • I Am a Fugitive from a Chain Gang - Warner Bros.
  • Lady for a Day - Columbia
  • Little Women - RKO Radio [came in 3rd]
  • The Private Life of Henry VIII - London Films
  • She Done Him Wrong - Paramount
  • Smilin' Through - Metro-Goldwyn-Mayer
  • State Fair - Fox

DIRECTING

  • Cavalcade - Frank Lloyd
  • Lady for a Day - Frank Capra [came in 2nd]
  • Little Women - George Cukor [came in 3rd]

ACTOR

  • Leslie Howard - Berkeley Square
  • Charles Laughton - The Private Life of Henry VIII
  • Paul Muni - I Am a Fugitive from a Chain Gang

ACTRESS

  • Katharine Hepburn - Morning Glory
  • May Robson - Lady for a Day
  • Diana Wynyard - Cavalcade

ASSISTANT DIRECTOR

  • Percy Ikerd (Fox)
  • William Tummel (Fox)
  • Bunny Dull (Metro-Goldwyn-Mayer)
  • Charles Dorian (Metro-Goldwyn-Mayer)
  • John S. Waters (Metro-Goldwyn-Mayer)
  • Arthur Jacobson (Paramount)
  • Charles Barton (Paramount)
  • Sidney S. Brod (Paramount)
  • Dewey Starkey (RKO Radio)
  • Eddie Killey (RKO Radio)
  • Benjamin Silvey (United Artists)
  • Fred Fox (United Artists)
  • Scott Beal (Universal)
  • W. J. Reiter (Universal)
  • Al Alborn (Warner Bros.)
  • Frank X. Shaw (Warner Bros.)
  • Gordon Hollingshead (Warner Bros.)

ORIGINAL STORY

  • One Way Passage - Robert Lord
  • The Prizefighter and the Lady - Frances Marion [came in 2nd]
  • Rasputin and the Empress - Charles MacArthur [came in 3rd]

ADAPTATION

  • Lady for a Day - Robert Riskin [came in 2nd]
  • Little Women - Victor Heerman, Sarah Y. Mason
  • State Fair - Paul Green, Sonya Levien [came in 3rd]

CINEMATOGRAPHY

  • A Farewell to Arms - Charles Bryant Lang Jr.
  • Reunion in Vienna - George J. Folsey [came in 2nd]
  • The Sign of the Cross - Karl Struss [came in 3rd]

ART DIRECTION

  • Cavalcade - William S. Darling
  • A Farewell to Arms - Hans Dreier, Roland Anderson [came in 2nd]
  • When Ladies Meet - Cedric Gibbons [came in 3rd]

SOUND RECORDING

  • A Farewell to Arms - Paramount Studio Sound Department, Franklin B. Hansen (Sound Director)
  • 42nd Street - Warner Bros. Studio Sound Department, Nathan Levinson (Sound Director)
  • Gold Diggers of 1933 - Warner Bros. Studio Sound Department, Nathan Levinson, Sound Director [came in 3rd]
  • I Am a Fugitive from a Chain Gang - Warner Bros. Studio Sound Department, Nathan Levinson, Sound Director [came in 2nd]

SHORT SUBJECT (Cartoon)

  • Building a Building - Walt Disney [came in 2nd]
  • The Merry Old Soul - Walter Lantz [came in 3rd]
  • The Three Little Pigs - Walt Disney

SHORT SUBJECT (Comedy)

  • Mister Mugg - Warren Doane [came in 3rd]
  • A Preferred List - Louis Brock [came in 2nd]
  • So This Is Harris - Louis Brock

SHORT SUBJECT (Novelty)

  • Krakatoa - Joe Rock
  • Menu - Pete Smith [tied for 2nd]
  • The Sea - Educational [tied for 2nd]

SCIENTIFIC AND/OR TECHNICAL AWARD - TYPE II (Plaque)

  • To ELECTRICAL RESEARCH PRODUCTS, INC. for their wide range recording and reporducing system. [Sound]
  • To RCA-VICTOR COMPANY, INC. for their high-fidelity recording and reproducing system. [Sound]

SCIENTIFIC AND/OR TECHNICAL AWARD - TYPE III (Certificate)

  • To FOX FILM CORPORATION, FRED JACKMAN and WARNER BROS. PICTURES, INC., and SIDNEY SANDERS of RKO Studios, Inc., for their development and effective use of the translucent cellulous screen in composite photography. [Special Photographic]