This Day in Oscar History: May 17
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Blogathon: Hitch at the Oscars
For the For Love of Film Blogathon this week, we're not only counting down our favorite Hitchcock films, but Peter and I have both prepared articles for the event. Peter's article will cover prominent actors and how their onscreen personas were altere at his hands in various films. My article (this one) will be a little more trivia-oriented covering the Academy love affair and lackthereof with the late Master of Suspense.
Alfred Hitchcock had made more than 20 films in his native England before moving stateside in 1940. Although he critical acclaim for those early films, the Academy didn't take notice of him until his first foray into American productions. Not only did they nominate both of his first American features released concurrently in 1940, Rebecca and Foreign Correspondent for Best Picture, they gave his Rebecca the prize for Best Picture. It was a great welcome from Hollywood.
Although his films regularly received Oscar nominations, wins were few and far between and even his most prominent work wasn't recognized for Best Picture after his fourth and final time in that category for Spellbound in 1945. As for his own Oscar nominations, he received five for Best Director, never taking home the award. In 1968, they gave him an honorary trophy, the Irving G. Thalberg Memorial Award for producing. But make no mistake, the Thalberg (a bust of the late producer Irving G. Thalberg) is not an Oscar, making Hitchcock one of the most celebrated directors in history never to have an Oscar statuette with his name inscribed on it.
This Day in Oscar History: May 16
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Ceremonies
1929: 1st Annual Academy Awards
(Presentation Ceremony) {for the films of 1927/28}
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This Day in Oscar History: May 15
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Oscar Preview: Weekend of May 11-13, 2012
We had one film releasing this weekend with the potential for Oscar nominations.
Dark Shadows
Although his first feature film, Pee Wee's Big Adventure wasn't an Oscar contender, his second film, Bettlejuice, began the Academy's love affair with the twisted world of Tim Burton. Beetlejuice won the Oscar for Best Makeup, which he followed up with another box office hit, Batman which netted him his second Oscar (his film treasure chests, not his own) for Art Direction. So enamored with the world of Burton, the Academy has recognized eleven of his fourteen films with Oscar nominations. His fourth film, Edward Scissorhands was nominated for Best Makeup, but lost; while his fifth feature Batman Returns also lost, but did so in two categories: Best Makeup and Best Visual Effects.
This Day in Oscar History: May 14
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This Day in Oscar History: May 13
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Our Site Milestones
2010: Box Office Predictions Game (2)
This Day in Oscar History: May 12
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Oscar in Box Office History (Week 19, 2012)
Every week, we'll take a look back 5, 10, 15, 20, 25 and 30 years into the box office past to explore how Oscar's nominees were doing at the box office that weekend historically. All data is taken from Box Office Mojo. The first section under each year is the positioning of all Oscar nominees during that weekend at the box office. The second section is an alphabetical list of those films and the categories in which they were nominated. And to start each week off, we'll be looking at the films releasing over the weekend that have the best chance of getting Oscar nominations and specifying the categories where we think they have the best chance at this stage of the game. Please let us know if you like our new feature or if you want to see more information and we'll see what we can do!
This Year: Potential Oscar Nominees Releasing This Weekend
Dark Shadows (Wide)
Oscar Potential: Original Score, Cinematography, Art Direction, Costume Design, Makeup.
This Day in Oscar History: May 11
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Oscar Profile #85: Robert Donat
Born March 18, 1905 in Withington, Manchester, England, Robert Donat‘s carefully honed speaking voice was a result of the elocution lessons he took as a boy to overcome a terrible stammer. Unfortunately he never outgrew his other childhood affliction, an asthmatic condition that caused him to turn down more film roles than he accepted.
On stage from 1927, he made his screen debut in 1932 and quickly gained notice with his portrayal of the doomed Thomas Culpepper in Alexander Korda’s 1933 hit, The Private Life of Henry VIII. Brought to Hollywood to star in the acclaimed 1934 film version of The Count of Monte Cristo, he was offered the lead in Captain Blood, but turned it down as he was unhappy with the Hollywood lifestyle and wanted to return to England where he then made Alfred Hitchcock’s The 39 Steps, one of his most celebrated films.
If Hollywood wanted him, and they did, they would have to come to England where he made The Ghost Goes West opposite Jean Parker; Knight Without Armor opposite Marlene Dietrich and The Citadel opposite Rosalind Russell, hits all, receiving his first Oscar nomination for the latter.
He then starred in the film version of James Hilton’s Goodbye, Mr. Chips introducing new MGM star Greer Garson. It brought him a second Oscar nomination and the Oscar itself. He sent his wife and three children to America at the outbreak of World War II while he stayed in England, making just two films during the duration: 1939’s Young Mr. Pitt and 1943’s The Adventures of Tartu. His son John played a key role as one of the students in Jean Renoir's 1943 classic, This Land Is Mine.
This Day in Oscar History: May 10
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This Day in Oscar History: May 9
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This Day in Oscar History: May 8
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Our Site Milestones
2007: The DVD Report by Peter J. Patrick (5)
Oscar Preview: Weekend of May 4-6, 2012
We had two films releasing this weekend with the potential for Oscar nominations.
The Avengers
Like Harry Potter and the Deathly Hallows, Part 2 before it, The Avengers is going to get buzz about being a Best Picture nominee later this year. Don't believe the hype. The Academy simply doesn't like that style of film. The lone superhero flick that could actually snag a nod this year would be The Dark Knight Rises and that's only if they don't mess around with the rules again. The Avengers has a fairly good head on its shoulders and some very positive notices from critics. Pair that with the record-shattering box office debut this weekend and the likely $450 million-plus finish, and you have a film that's not likely to be forgotten like most of the other individual Avengers titles in recent years.




