Welcome to The Morning After, where I share with you what movies I’ve seen over the past week. Below, you will find short reviews of those movies along with a star rating. Full length reviews may come at a later date.
So, here is what I watched this past week:
By expanding the plot in the second film to include more characters, Deadpool 2 has better rooted itself into the Marvel and X-Men universes than it had previously. While the original film had a lot of incredibly funny moments, it didn’t always have the most coherent plot even if it did have a solid villain. In his second outing, Ryan Reynolds puts on the burn makeup once again to find great humor in the raunchy, uber-violent world of the popular comic book anti-hero.
In his second outing, Wade Wilson ups the stakes dramatically, pulling in popular figures from the prior film and mixing in a large number of new ones, including the impressive Zazie Beetz as Domino, a mutant who has the power of luck on her side. Josh Brolin adds menace as the time travelling half-cybernetic Cable trying to right the wrongs of the past, which involves preventing the turn events that leads to the death of his wife and daughter.
Following the plot is fairly simple, but getting to deep into its details gives away prime elements to it. Suffice it to say, the cast and crew are firing on all cylinders with a lone exception. The disgraceful inclusion of transphobic T.J. Miller is a point to the film’s detriment, especially considering how much they could have done with the idea of casting Christopher Plummer as Deadpool’s bartender extraordinaire. It would have been a great piece of humor, but instead they chose to keep the hateful comedian on board. Not only is his presence frustrating, his performance is inadequate.
Deadpool 2 doesn’t let the fourth wall get in his way, a trademark aspect to the character that has been well served in two films now. The music selection is largely on point, filled with 80s music that might otherwise feel out of place in a Marvel movie. The amount of times he attacks his own cinematic past is amusing and the mid-credits stinger is as amusing as might be expected. However, stay to the end for the final orchestral performance. It’s well worth sticking through the scroll recognizing the hundreds of people who put in their time and effort to make the movie you just enjoyed. Don’t stay just for stingers. Stay because it’s the right thing to do.