Of the week’s new releases only the animated sequel Hotel Transylvania 2 looks like a hit in the making. The original opened to $42 million and finished off just shy of $150 million. Nancy Myers’ combination of Robert De Niro and Anne Hathaway isn’t likely to come close, but The Intern could come in a much lower second place ahead of the second weekend of The Maze Runner: Scorch Trials.
Our Highest Rated Films: Labyrinth of Lies
Our Best Awards Ratings: Labyrinth of Lies (Oscars)
OTHER LIMITED RELEASES
10 Days in a Madhouse
Ashby (Previewed on Cinema Sight)
Lost in Hong Kong
Sep. 25-27, 2015 | ||||
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Film |
Our Thoughts |
Awards Chances |
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The Green Inferno(Wide Release)See the original CinemaSight
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1.8 Wesley Lovell: (2) Peter J. Patrick: (2) Tripp Burton: (2) Thomas LaTourrette: (1) |
Nil Wesley Lovell: (nil) Peter J. Patrick: (nil) Tripp Burton: (nil) Thomas LaTourrette: (nil) |
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Individual Commentary: |
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Wesley Lovell (WL): Apart form Hostel, nothing Eli Roth has ever done has seemed that interesting to me. |
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Film |
Our Thoughts |
Awards Chances |
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Hotel Transylvania 2(Wide Release)See the original CinemaSight
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4.0 Wesley Lovell: (2) Peter J. Patrick: (5) Tripp Burton: (3) Thomas LaTourrette: (6) |
Nil Wesley Lovell: (nil) Peter J. Patrick: (nil) Tripp Burton: (nil) Thomas LaTourrette: (3,Oscars) |
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Individual Commentary: |
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Wesley Lovell (WL): I had no desire to see the original, so the sequel is definitely out. |
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Film |
Our Thoughts |
Awards Chances |
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The Intern(Limited Release)See the original CinemaSight
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5.0 Wesley Lovell: (7) Peter J. Patrick: (6) Tripp Burton: (3) Thomas LaTourrette: (4) |
2.8 Wesley Lovell: (6,Globes) Peter J. Patrick: (5,Globes) Tripp Burton: (nil) Thomas LaTourrette: (nil) |
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Individual Commentary: |
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Wesley Lovell (WL): I’ll admit the trailer has charm and with Anne Hathaway and Robert De Niro on board, so am I. |
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Film |
Our Thoughts |
Awards Chances |
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99 Homes(Limited Release)See the original CinemaSight
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6.0 Wesley Lovell: (5) Peter J. Patrick: (6) Tripp Burton: (8) Thomas LaTourrette: (5) |
Nil Wesley Lovell: (nil) Peter J. Patrick: (nil) Tripp Burton: (4,Critics) Thomas LaTourrette: (1,Oscars) |
Categories:
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Individual Commentary: |
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Wesley Lovell (WL): It was on the festival circuit in 2014. If it were anything worthy of consideration, it would have been in the thick of the Oscar race last year, but it wasn’t. |
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Film |
Our Thoughts |
Awards Chances |
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The Keeping Room(Limited Release)See the original CinemaSight
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4.5 Wesley Lovell: (3) Peter J. Patrick: (5) Tripp Burton: (4) Thomas LaTourrette: (6) |
Nil Wesley Lovell: (nil) Peter J. Patrick: (nil) Tripp Burton: (nil) Thomas LaTourrette: (nil) |
Categories:
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Individual Commentary: |
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Wesley Lovell (WL): The subject matter doesn’t hold a lot of interest for me. |
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Film |
Our Thoughts |
Awards Chances |
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Labyrinth of Lies(Limited Release)See the original CinemaSight
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7.3 Wesley Lovell: (7) Peter J. Patrick: (10) Tripp Burton: (5) Thomas LaTourrette: (7) |
5.3 Wesley Lovell: (6,Oscars) Peter J. Patrick: (8,Oscars) Tripp Burton: (3,Oscars) Thomas LaTourrette: (4,Oscars) |
Categories:
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Individual Commentary: |
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Wesley Lovell (WL): The subject matter would fit well in the Academy’s wheelhouse and I admit it looks interesting. |
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Film |
Our Thoughts |
Awards Chances |
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Mississippi Grind(Limited Release)See the original CinemaSight
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5.3 Wesley Lovell: (4) Peter J. Patrick: (4) Tripp Burton: (8) Thomas LaTourrette: (5) |
Nil Wesley Lovell: (nil) Peter J. Patrick: (nil) Tripp Burton: (3,Critics) Thomas LaTourrette: (nil) |
Categories:
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Individual Commentary: |
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Wesley Lovell (WL): As much as I like Ryan Reynolds, the film looks a bit too formulaic for me. |
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Film |
Our Thoughts |
Awards Chances |
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Stonewall(Limited Release)See the original CinemaSight
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4.3 Wesley Lovell: (7) Peter J. Patrick: (2) Tripp Burton: (4) Thomas LaTourrette: (4) |
Nil Wesley Lovell: (nil) Peter J. Patrick: (10,Razzies) Tripp Burton: (nil) Thomas LaTourrette: (nil) |
Categories:
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Individual Commentary: |
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Wesley Lovell (WL): I’m curious to see the train wreck even if it’s a bad film, it’s at least a step towards parity in the film industry. |
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