The NEW Friday Face-Off #181 – Cinema Sight by Wesley Lovell

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The NEW Friday Face-Off #181

Posted

January 13, 2017

in

Friday Face-Off

by

Wesley Lovell

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We are now tackling the first round of the losers bracket.

Here is this week’s five (or fewer) face-offs. So, let’s get started.

Face-Off: Best Writing – Tie-Breaers #9

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Writing, Screenplay: The Treasure of the Sierra Madre, 1948
Writing, Motion Picture Story: The Stratton Story, 1949

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Face-Off: Best Writing – Tie-Breaers #10

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Writing, Story and Screenplay: Battleground, 1949
Writing, Motion Picture Story: Panic in the Streets, 1950

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Face-Off: Best Music – Tie-Breaers #9

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Music, Original Score: The Omen, 1976
Music, Adaptation or Original Song Score: A Little Night Music, 1977

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Face-Off: Best Music – Tie-Breaers #10

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Music, Adaptation Score: The Buddy Holly Story, 1978
Music, Adaptation or Original Song Score: All That Jazz, 1979

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Face-Off: Best Cinematography – Tie-Breaers #9

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Black and White Cinematography: The Rose Tattoo, 1955
Black and White Cinematography: Somebody Up There Likes Me, 1956

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Face-Off: Best Cinematography – Tie-Breaers #10

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Black and White Cinematography: The Defiant Ones, 1958
Color Cinematography: Ben-Hur, 1959

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Face-Off: Best Art Direction – Tie-Breaers #9

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Black and White Art Direction: Somebody Up There Likes Me, 1956
Black and White Art Direction: The Diary of Anne Frank, 1959

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Face-Off: Best Art Direction – Tie-Breaers #10

Cinema Sight’s Friday Face-Off: Which Oscar winner is best?

Color Art Direction: Spartacus, 1960
Black and White Art Direction: The Hustler, 1961

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