
Page Revisions:
(September 6, 2026) Original
(October 4, 2026) New Trailer (#2) — New Poster (#6)
Release Date:
October 16, 2026
Synopsis:
From IMDb: “Explores what it means to be gay throughout different eras, focusing on “three existences” that are connected through themes of sexuality, desire, pain, and inheritance.”
Poster Rating: C+ / C / C+ / B (2) / C
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Review: (#1, C+) It’s modestly unique but uninspiring. It uses the title literally and that’s a fair if underwhelming choice. (#2, C) Layering paint over a still image is also an infrequent touch but this effort is rather dull. (#3, C+) A scene from the film that provides preciously little context. (#4-#5, B) These last two designs have an artistic, painterly quality with terrific framing and lines drawing the viewer into the image. If only the title design wasn’t so uninspired.
(#6, C) The superimposed paintbrush strokes doesn’t add the embellishment the designer expected. It might tie into the film’s premise but it doesn’t tell the view anything.
Trailer Rating: B+ / B
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Review: (#1, B+) A beautifully shot trailer provides enough detail to generate intrigue without completely explaining the film’s premise. It’s a nice opening salvo but there’s not quite enough to go off of here to determine if it’s going to be a genuinely great piece of filmmaking or an underwhelming misfire.
(#2, B) Although this trailer avoids digging to deeply into the romantic elements of the story, the film is very clearly focused on cineastes who can appreciate its compelling visuals. The present-day elements are given more attention from this trailer and will establish the framing device for the narrative but it still struggles with appealing beyond its target demographic.
Oscar Prospects:
The artistic feel of the trailer could suggest that it’s a contender for the major foreign language entry of the year but there’s insufficient substance in the trailer to affirm a guarantee.
Trailer #1
Trailer #2
Posters
Poster #1
Poster #2
Poster #3
Poster #4
Poster #5
Poster #6



















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