In a surprise for this Oscar season, not only did no film win more than one award from the sound editors, but Blade Runner 2049 took the top award for sound effects and foley while non-Oscar nominee War for the Planet of the Apes captured the Dialogue/ADR award. While Oscar voters aren’t always keen on looking to guilds for guidelines of whom to vote for, this certain improves Blade Runner 2049‘s Oscar chances over presumed frontrunner Dunkirk, which took only the music category.
The Awards
Best Sound Editing: Sound Effects and Foley in a Feature Film
Blade Runner 2049 (Wesley, RU:Tripp, RU:Thomas)
Best Sound Editing: Dialogue and ADR in a Feature Film
War for the Planet of the Apes (RU:Tripp)
Best Sound Editing & Music in an Animation Feature Film
Coco (Wesley, Peter, Tripp, Thomas)
Best Sound Editing & Music in a Feature Documentary
Jane (Peter, Tripp)
Best Sound Editing: Sound Effects, Foley, Dialogue and ADR in a Feature Foreign Language Film
Loveless (RU:Peter)
Best Sound Editing: Music in a Feature Film
Dunkirk (RU:Tripp, RU:Thomas)
Best Sound Editing: Music in a Musical Feature Film
The Greatest Showman (Peter, Tripp, Thomas, RU:Wesley)
Motion Picture Sound Editors Data
Year Founded: 1953
First Awards: 1953 (65)
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