Today’s kids are raised on full length animated features on DVD practically from birth.They tend to develop favorites at an early age without any understanding of a particular film’s place in history.After all, what parent is going to entertain an infant with films in proper chronological order? I was fortunate enough to have seen Snow
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Domestic dramas were in vogue at the 1983 Oscars and indeed, throughout the year-end awards season. The National Board of Review got things started things rolling by naming TV director James L. Brooks’ first theatrical film, Terms of Endearment the year’s best, but the film won in what was a surprise tie with Betrayal, the
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The Academy continued the historical trend it began the year before with Chariots of Fire in giving the 1982 Oscar to Gandhi but Gandhi was one of three films in a very tight race. Steven Spielberg’s E.T.: The Extra-Terrestrial started off awards season with its win from The Los Angeles Film Critics, which also named
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Things change. The world today is not the same as we knew it even just a few years ago. One thing that remains constant is old movies. Everyone, I suppose, remembers the first time they saw The Wizard of Oz. For me, the year was 1949. I was five year old, the film was already
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The 1981 Oscar race was generally expected to be a showdown between Warren Beatty’s Reds, a critically acclaimed historical drama about American expatriate journalist, John Reed, and On Golden Pond, Mark Rydell’s much loved film version of the stage hit featuring the first ever teaming of screen legends Henry Fonda and Katharine Hepburn. The L.A.
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By the end of the 1980s several critics’ polls had declared Martin Scorsese’s Raging Bull to be one of the greatest films ever made and the best film of the decade. That it was a good movie was never in dispute, but it is a cold, distant, difficult to like film, especially when compared with
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1979 was the first year in which the L.A. and N.Y. Film critics agreed on the year’s Best Picture – the domestic drama, Kramer vs. Kramer, though they disagreed on Best Director. L.A. went with Kramer’s Robert Benton while the N.Y. group went with Woody Allen for the second time in three years, for Manhattan.
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The quality of TV drama has never been better than it is right now, but the ways in which people watch their favorite series have changed dramatically over the years. From the late 1940s through the 1970s, three major networks, ABC, CBS and NBC, dominated broadcast TV in the U.S. Although PBS and local channels
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The 1978 Oscar race is best remembered as the year of the dueling Vietnam War movies but it almost didn’t happen. Universal had planned The Deer Hunter for a February 1979 release and didn’t decide on limited New York and L.A. runs in mid-December until late November. The L.A. Film critics were the first to
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The National Board of Review resumed its tradition of being the first to announce its annual winners in 1977, naming Herbert Ross’ The Turning Point as Best Picture of the year. They eschewed Ross for the Best Director award, however, bestowing that honor on the legendary Spanish director Luis Bunuel for That Obscure Object of
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A Little Night Music Rating Director Harold Prince Screenplay Hugh Wheeler (Musical: Stephen Sondheim, Book: Hugh Wheeler, Film: Ingmar Bergman) Length 124 min. Starring Elizabeth Taylor, Diana Rigg, Len Cariou, Lesley-Anne Down, Hermione Gingold, Laurence Guittard, Christopher Guard, Lesley Dunlop, Chloe Franks MPAA Rating PG Buy/Rent Movie Source Material Review How can you possibly go
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Sorority Row Rating Director Stewart Hendler Screenplay Josh Stolberg, Pete Goldfinger, Mark Rosman Length 101 min. Starring Briana Evigan, Margo Harsman, Rumer Willis, Jamie Chung, Leah Pipes, Audrina Patridge, Matt O’Leary, Julian Morris, Carrie Fisher, Caroline D’Amore, Matt Lanter, Maxx Hennard MPAA Rating R for strong bloody violence, language, some sexuality/nudity and partying. Buy/Rent Movie
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Saw V Rating Director David Hackl Screenplay Patrick Melton, Marcus Dunstan Length 92 min. Starring Tobin Bell, Costas Mandylor, Scott Patterson, Betsy Russell, Julie Benz, Meagan Good, Mark Rolston, Carlo Rota, Greg Bryk, Laura Gordon, Joris Jarsky, Mike Butters MPAA Rating R for sequences of grisly bloody violence and torture, language and brief nudity Buy/Rent
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The Los Angeles Film Critics, in only their second year, started off awards season with another tie. Just as they had done with their first awards the previous year, they split Best Picture honors between two films, the acerbic Network and the feel-good Rocky. The National Board of Review, New York Film Critics and National
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Saw II Rating Director Darren Lynn Bousman Screenplay Leigh Whannell, Darren Lynn Bousman Length 93 min. Starring Tobin Bell, Shawnee Smith, Donnie Wahlberg, Erik Knudsen, Franky G, Glenn Plummer, Emmanuelle Vaugier, Leight Whannell, Mpho Koaho, Beverley Mitchell, Tim Burd, Barry Flatman, Lyriq Bent, Dina Meyer MPAA Rating R (For grisly violence and gore, terror, language
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