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Every week, we’ll take a look back in 5-year intervals at the box office past to explore how Oscar’s nominees were doing at the box office each weekend historically. The first section under each year is the positioning of all Oscar nominees during that weekend at the box office (as well as a section looking at the inflation-adjusted numbers). The third section is an alphabetical list of those films and the categories in which they were nominated. And to start each week off, we’ll be looking at the films releasing over the weekend that have the best chance of getting Oscar nominations and specifying the categories where we think they have the best shots at this stage of the game. If you have any suggestions for more data you’d like to see, please let us know.

This Year: Potential Oscar Nominees Releasing This Weekend

None

5 Years Ago: The Weekend of Mar. 23-25, 2018

Weekend Box Office:

  1. Black Panther (2018, 91st) – $17,099,618 ($631,357,854 total) {week 6}
  2. Isle of Dogs (2018, 91st) – $1,620,294 ($1,620,294 total) {week 1}
  3. The Greatest Showman (2017, 90th) – $696,403 ($170,945,091 total) {week 14}
  4. The Shape of Water (2017, 90th) – $261,997 ($63,434,497 total) {week 17}
  5. Coco (2017, 90th) – $115,810 ($209,358,338 total) {week 18}
  6. Three Billboards Outside Ebbing, Missouri (2017, 90th) – $110,645 ($54,256,921 total) {week 20}
  7. Ferdinand (2017, 90th) – $105,068 ($83,907,127 total) {week 15}
  8. Star Wars: The Last Jedi (2017, 90th) – $102,020 ($619,967,829 total) {week 15}
  9. A Fantastic Woman (2017, 90th) – $95,511 ($1,694,772 total) {week 6}
  10. The Post (2017, 90th) – $91,294 ($81,598,960 total) {week 14}
  11. Call Me by Your Name (2017, 90th) – $67,147 ($17,881,321 total) {week 16}
  12. I, Tonya (2017, 90th) – $61,932 ($29,881,936 total) {week 16}
  13. Darkest Hour (2017, 90th) – $41,480 ($56,402,780 total) {week 18}
  14. Loveless (2017, 90th) – $31,378 ($444,765 total) {week 6}
  15. Lady Bird (2017, 90th) – $29,454 ($48,912,443 total) {week 21}
  16. Phantom Thread (2017, 90th) – $29,360 ($20,985,660 total) {week 13}
  17. The Insult (2017, 90th) – $15,713 ($962,115 total) {week 11}
  18. Faces Places (2017, 90th) – $2,755 ($940,997 total) {week 25}

Weekend Box Office (Adjusted for Inflation):

  1. Black Panther (2018, 91st) – $19,614,820 ($724,224,981 total)
  2. Isle of Dogs (2018, 91st) – $1,858,625 ($1,858,625 total)
  3. The Greatest Showman (2017, 90th) – $798,838 ($196,089,594 total)
  4. The Shape of Water (2017, 90th) – $300,534 ($72,765,147 total)
  5. Coco (2017, 90th) – $132,845 ($240,153,088 total)
  6. Three Billboards Outside Ebbing, Missouri (2017, 90th) – $126,920 ($62,237,632 total)
  7. Ferdinand (2017, 90th) – $120,523 ($96,249,119 total)
  8. Star Wars: The Last Jedi (2017, 90th) – $117,026 ($711,159,584 total)
  9. A Fantastic Woman (2017, 90th) – $109,560 ($1,944,058 total)
  10. The Post (2017, 90th) – $104,723 ($93,601,441 total)
  11. Call Me by Your Name (2017, 90th) – $77,024 ($20,511,504 total)
  12. I, Tonya (2017, 90th) – $71,042 ($34,277,303 total)
  13. Darkest Hour (2017, 90th) – $47,581 ($64,699,127 total)
  14. Loveless (2017, 90th) – $35,993 ($510,186 total)
  15. Lady Bird (2017, 90th) – $33,786 ($56,107,028 total)
  16. Phantom Thread (2017, 90th) – $33,679 ($24,072,464 total)
  17. The Insult (2017, 90th) – $18,024 ($1,103,634 total)
  18. Faces Places (2017, 90th) – $3,160 ($1,079,409 total)

Oscar Details:

  • Black Panther (2018, 91st): Picture, Original Song (“All the Stars”), Original Score [O], Production Design [O], Costume Design [O], Sound Mixing, Sound Film Editing
  • Call Me by Your Name (2017, 90th): Picture, Actor (Timothรฉe Chalamet), Adapted Screenplay [O], Original Song (“Mystery of Love”)
  • Coco (2017, 90th): Animated Feature, Original Song (“Remember Me”)
  • Darkest Hour (2017, 90th): Picture, Actor (Gary Oldman) [O], Cinematography, Production Design, Costume Design, Makeup & Hairstyling
  • Faces Places (2017, 90th): Documentary Feature
  • A Fantastic Woman (2017, 90th): Foreign Language Film [O]
  • Ferdinand (2017, 90th): Animated Feature
  • The Greatest Showman (2017, 90th): Original Song (“This Is Me”)
  • I, Tonya (2017, 90th): Actress (Margot Robbie), Supporting Actress (I, Tonya) [O], Film Editing
  • The Insult (2017, 90th): Foreign Language Film
  • Isle of Dogs (2018, 91st): Animated Feature, Original Score
  • Lady Bird (2017, 90th): Picture, Directing, Actress (Saoirse Ronan), Supporting Actress (Laurie Metcalf), Original Screenplay
  • Loveless (2017, 90th): Foreign Language Film
  • Phantom Thread (2017, 90th): Picture, Directing, Actor (Daniel Day-Lewis), Supporting Actress (Lesley Manville), Original Score, Costume Design [O]
  • The Post (2017, 90th): Picture, Actress (Meryl Streep)
  • The Shape of Water (2017, 90th): Picture [O], Directing [O], Actress (Sally Hawkins), Supporting Actor (Richard Jenkins), Supporting Actress (Octavia Spencer), Original Screenplay, Original Score [O], Film Editing, Cinematography, Production Design [O], Costume Design, Sound Mixing, Sound Film Editing
  • Star Wars: The Last Jedi (2017, 90th): Original Score, Sound Mixing, Sound Film Editing, Visual Effects
  • Three Billboards Outside Ebbing, Missouri (2017, 90th): Picture, Actress (Frances McDormand) [O], Supporting Actor (Woody Harrelson), Supporting Actor (Sam Rockwell) [O], Original Screenplay, Original Score, Film Editing

10 Years Ago: The Weekend of Mar. 22-24, 2013

Weekend Box Office:

  1. The Croods (2013, 86th) – $43,639,736 ($43,639,736 total) {week 1}
  2. Silver Linings Playbook (2012, 85th) – $1,585,071 ($127,163,614 total) {week 19}
  3. Life of Pi (2012, 85th) – $720,257 ($122,546,768 total) {week 18}
  4. Django Unchained (2012, 85th) – $283,619 ($162,007,435 total) {week 13}
  5. Lincoln (2012, 85th) – $217,555 ($18,809,335 total) {week 20}
  6. No (2012, 85th) – $197,545 ($989,980 total) {week 6}
  7. Wreck-It Ralph (2012, 85th) – $197,051 ($188,742,357 total) {week 21}
  8. The Hobbit: An Unexpected Journey (2012, 85th) – $178,205 ($302,695,938 total) {week 15}
  9. The Gatekeepers (2012, 85th) – $170,606 ($1,589,300 total) {week 8}
  10. Argo (2012, 85th) – $142,310 ($135,519,145 total) {week 24}
  11. Zero Dark Thirty (2012, 85th) – $138,415 ($95,614,949 total) {week 14}
  12. Les Miserables (2012, 85th) – $94,810 ($148,673,165 total) {week 13}
  13. The Impossible (2012, 85th) – $76,890 ($18,736,345 total) {week 14}
  14. Amour (2012, 85th) – $55,197 ($6,591,729 total) {week 14}
  15. Searching for Sugar Man (2012, 85th) – $23,780 ($3,559,838 total) {week 35}
  16. A Royal Affair (2012, 85th) – $12,619 ($1,471,829 total) {week 20}
  17. War Witch (2012, 85th) – $7,204 ($37,902 total) {week 4}
  18. Chasing Ice (2012, 85th) – $5,164 ($1,285,247 total) {week 19}
  19. 5 Broken Cameras (2012, 85th) – $194 ($102,534 total) {week 43}

Weekend Box Office (Adjusted for Inflation):

  1. The Croods (2013, 86th) – $56,092,896 ($56,092,896 total)
  2. Silver Linings Playbook (2012, 85th) – $2,037,391 ($163,451,386 total)
  3. Life of Pi (2012, 85th) – $925,792 ($157,517,063 total)
  4. Django Unchained (2012, 85th) – $364,553 ($208,238,339 total)
  5. Lincoln (2012, 85th) – $279,637 ($24,176,821 total)
  6. No (2012, 85th) – $253,917 ($1,272,484 total)
  7. Wreck-It Ralph (2012, 85th) – $253,282 ($242,602,415 total)
  8. The Hobbit: An Unexpected Journey (2012, 85th) – $229,058 ($389,074,115 total)
  9. The Gatekeepers (2012, 85th) – $219,291 ($2,042,827 total)
  10. Argo (2012, 85th) – $182,920 ($174,191,275 total)
  11. Zero Dark Thirty (2012, 85th) – $177,913 ($122,899,904 total)
  12. Les Miserables (2012, 85th) – $121,865 ($191,098,964 total)
  13. The Impossible (2012, 85th) – $98,832 ($24,083,002 total)
  14. Amour (2012, 85th) – $70,948 ($8,472,764 total)
  15. Searching for Sugar Man (2012, 85th) – $30,566 ($4,575,684 total)
  16. A Royal Affair (2012, 85th) – $16,220 ($1,891,834 total)
  17. War Witch (2012, 85th) – $9,260 ($48,718 total)
  18. Chasing Ice (2012, 85th) – $6,638 ($1,652,009 total)
  19. 5 Broken Cameras (2012, 85th) – $249 ($131,793 total)

Oscar Details:

  • 5 Broken Cameras (2012, 85th): Documentary Feature
  • Amour (2012, 85th): Picture, Directing, Actress (Emmanuelle Riva), Original Screenplay, Foreign Language Film [O]
  • Argo (2012, 85th): Picture [O], Supporting Actor (Alan Arkin), Adapted Screenlay [O], Original Score, Film Editing [O], Sound Mixing, Sound Film Editing
  • Chasing Ice (2012, 85th): Original Song (“Before My Time”)
  • The Croods (2013, 86th): Animated Feature
  • Django Unchained (2012, 85th): Picture, Supporting Actor (Christoph Waltz) [O], Original Screenplay [O], Cinematography, Sound Film Editing
  • The Gatekeepers (2012, 85th): Documentary Feature
  • The Hobbit: An Unexpected Journey (2012, 85th): Production Design, Makeup and Hairstyling, Visual Effects
  • The Impossible (2012, 85th): Actress (Naomi Watts)
  • Les Miserables (2012, 85th): Picture, Actor (Hugh Jackman), Supporting Actress (Anne Hathaway) [O], Original Song (“Suddenly”), Production Design, Costume Design, Makeup and Hairstyling [O], Sound Mixing [O]
  • Life of Pi (2012, 85th): Picture, Directing [O], Adapted Screenplay, Original Song (“Pi’s Lullaby”), Original Score [O], Film Editing, Cinematography [O], Production Design, Sound Mixing, Sound Film Editing, Visual Effects [O]
  • Lincoln (2012, 85th): Picture, Directing, Actor (Daniel Day-Lewis) [O], Supporting Actor (Tommy Lee Jones), Supporting Actress (Sally Field), Adapted Screenplay, Original Score, Film Editing, Cinematography, Production Design [O], Costume Design, Sound Mixing
  • No (2012, 85th): Foreign Language Film
  • A Royal Affair (2012, 85th): Foreign Language Film
  • Searching for Sugar Man (2012, 85th): Documentary Feature [O]
  • Silver Linings Playbook (2012, 85th): Picture, Directing, Actor (Bradley Cooper), Actress (Jennifer Lawrence) [O], Supporting Actor (Robert De Niro), Supporting Actress (Jacki Weaver), Adapted Screenplay, Film Editing
  • War Witch (2012, 85th): Foreign Language Film
  • Wreck-It Ralph (2012, 85th): Animated Feature
  • Zero Dark Thirty (2012, 85th): Picture, Actress (Jessica Chastain), Original Screenplay, Film Editing, Sound Film Editing [O]

15 Years Ago: The Weekend of Mar. 21-23, 2008

Weekend Box Office:

  1. Juno (2007, 80th) – $769,842 ($141,099,121 total) {week 16}
  2. The Counterfeiters (2007, 80th) – $496,625 ($1,851,862 total) {week 5}
  3. In Bruges (2008, 81st) – $472,762 ($5,920,566 total) {week 7}
  4. There Will Be Blood (2007, 80th) – $211,636 ($39,705,413 total) {week 13}
  5. No Country for Old Men (2007, 80th) – $175,512 ($74,062,608 total) {week 20}
  6. The Diving Bell and the Butterfly (2007, 80th) – $50,998 ($5,875,116 total) {week 17}
  7. Atonement (2007, 80th) – $46,720 ($50,830,581 total) {week 16}
  8. Persepolis (2007, 80th) – $44,702 ($4,101,434 total) {week 13}
  9. The Savages (2007, 80th) – $37,445 ($6,493,735 total) {week 17}
  10. The Kite Runner (2007, 80th) – $31,810 ($15,752,605 total) {week 15}
  11. La Vie en Rose (2007, 80th) – $20,211 ($10,271,397 total) {week 26}
  12. Taxi to the Dark Side (2007, 80th) – $16,194 ($194,615 total) {week 10}
  13. Beaufort (2007, 80th) – $5,012 ($74,956 total) {week 10}
  14. War/Dance (2007, 80th) – $3,359 ($111,469 total) {week 16}
  15. Into the Wild (2007, 80th) – $3,330 ($18,352,454 total) {week 27}
  16. 2007 Academy Award Nominated Short Films (2007, 80th) – $3,066 ($503,595 total) {week 6}

Weekend Box Office (Adjusted for Inflation):

  1. Juno (2007, 80th) – $1,120,452 ($205,360,141 total)
  2. The Counterfeiters (2007, 80th) – $722,804 ($2,695,259 total)
  3. In Bruges (2008, 81st) – $688,073 ($8,616,980 total)
  4. There Will Be Blood (2007, 80th) – $308,022 ($57,788,519 total)
  5. No Country for Old Men (2007, 80th) – $255,446 ($107,793,072 total)
  6. The Diving Bell and the Butterfly (2007, 80th) – $74,224 ($8,550,830 total)
  7. Atonement (2007, 80th) – $67,998 ($73,980,442 total)
  8. Persepolis (2007, 80th) – $65,061 ($5,969,357 total)
  9. The Savages (2007, 80th) – $54,499 ($9,451,188 total)
  10. The Kite Runner (2007, 80th) – $46,297 ($22,926,842 total)
  11. La Vie en Rose (2007, 80th) – $29,416 ($14,949,317 total)
  12. Taxi to the Dark Side (2007, 80th) – $23,569 ($283,249 total)
  13. Beaufort (2007, 80th) – $7,295 ($109,093 total)
  14. War/Dance (2007, 80th) – $4,889 ($162,236 total)
  15. Into the Wild (2007, 80th) – $4,847 ($26,710,744 total)
  16. 2007 Academy Award Nominated Short Films (2007, 80th) – $4,462 ($732,948 total)

Oscar Details:

  • 2007 Academy Award Nominated Short Films (2007, 80th): Animated Short Film, Live Action Short Film, Documentary Short Film
  • Atonement (2007, 80th): Picture, Supporting Actress (Saoirse Ronan), Adapted Screenplay, Original Score [O], Cinematography, Art Direction, Costume Design
  • Beaufort (2007, 80th): Foreign Language Film
  • The Counterfeiters (2007, 80th): Foreign Language Film [O]
  • The Diving Bell and the Butterfly (2007, 80th): Director, Adapted Screenplay, Film Editing, Cinematography
  • In Bruges (2008, 81st): Original Screenplay
  • Into the Wild (2007, 80th): Supporting Actor (Hal Holbrook), Film Editing
  • Juno (2007, 80th): Picture, Director, Actress (Ellen Page), Original Screenplay [O]
  • The Kite Runner (2007, 80th): Original Score
  • No Country for Old Men (2007, 80th): Picture [O], Director [O], Supporting Actor (Javier Bardem) [O], Adapted Screenplay [O], Film Editing, Cinematography, Sound Mixing, Sound Film Editing
  • Persepolis (2007, 80th): Animated Feature
  • The Savages (2007, 80th): Actress (Laura Linney), Original Screenplay
  • Taxi to the Dark Side (2007, 80th): Documentary Feature [O]
  • There Will Be Blood (2007, 80th): Picture, Director, Actor (Daniel Day-Lewis) [O], Adapted Screenplay, Film Editing, Cinematography [O], Art Direction, Sound Film Editing
  • La Vie en Rose (2007, 80th): Actress (Marion Cotillard) [O], Costume Design, Makeup [O]
  • War/Dance (2007, 80th): Documentary Feature

20 Years Ago: The Weekend of Mar. 21-23, 2003

Weekend Box Office:

  1. Chicago (2002, 75th) – $6,176,021 ($134,014,534 total) {week 13}
  2. The Pianist (2002, 75th) – $1,031,666 ($20,200,998 total) {week 13}
  3. The Hours (2002, 75th) – $1,002,679 ($38,889,073 total) {week 13}
  4. About Schmidt (2002, 75th) – $845,427 ($62,908,447 total) {week 15}
  5. The Quiet American (2002, 75th) – $801,909 ($9,854,961 total) {week 18}
  6. The Lord of the Rings: The Two Towers (2002, 75th) – $768,554 ($334,790,872 total) {week 14}
  7. Gangs of New York (2002, 75th) – $566,576 ($77,021,614 total) {week 14}
  8. Catch Me If You Can (2002, 75th) – $364,361 ($163,321,694 total) {week 13}
  9. Adaptation. (2002, 75th) – $290,405 ($21,523,932 total) {week 16}
  10. Far From Heaven (2002, 75th) – $230,799 ($15,588,212 total) {week 20}
  11. City of God (2003, 76th) – $224,168 ($2,756,619 total) {week 10}
  12. Talk to Her (2002, 75th) – $211,038 ($7,942,916 total) {week 18}
  13. Frida (2002, 75th) – $169,433 ($25,118,058 total) {week 22}
  14. Bowling for Columbine (2002, 75th) – $156,550 ($19,550,172 total) {week 24}
  15. The Wild Thornberrys Movie (2002, 75th) – $113,142 ($39,598,191 total) {week 14}
  16. Nowhere in Africa (2002, 75th) – $111,495 ($263,978 total) {week 3}
  17. My Big Fat Greek Wedding (2002, 75th) – $9,651 ($241,423,860 total) {week 49}
  18. The Crime of Father Amaro (2002, 75th) – $9,649 ($5,688,787 total) {week 19}
  19. Spirited Away (2002, 75th) – $5,011 ($5,616,071 total) {week 27}
  20. Zus & Zo (2002, 75th) – $1,790 ($49,468 total) {week 7}

Weekend Box Office (Adjusted for Inflation):

  1. Chicago (2002, 75th) – $10,703,055 ($232,247,410 total)
  2. The Pianist (2002, 75th) – $1,787,879 ($35,008,363 total)
  3. The Hours (2002, 75th) – $1,737,644 ($67,394,828 total)
  4. About Schmidt (2002, 75th) – $1,465,126 ($109,020,443 total)
  5. The Quiet American (2002, 75th) – $1,389,710 ($17,078,664 total)
  6. The Lord of the Rings: The Two Towers (2002, 75th) – $1,331,905 ($580,193,136 total)
  7. Gangs of New York (2002, 75th) – $981,877 ($133,478,585 total)
  8. Catch Me If You Can (2002, 75th) – $631,438 ($283,036,767 total)
  9. Adaptation. (2002, 75th) – $503,272 ($37,301,010 total)
  10. Far From Heaven (2002, 75th) – $399,975 ($27,014,397 total)
  11. City of God (2003, 76th) – $388,484 ($4,777,225 total)
  12. Talk to Her (2002, 75th) – $365,729 ($13,765,087 total)
  13. Frida (2002, 75th) – $293,628 ($43,529,636 total)
  14. Bowling for Columbine (2002, 75th) – $271,301 ($33,880,480 total)
  15. The Wild Thornberrys Movie (2002, 75th) – $196,075 ($68,623,731 total)
  16. Nowhere in Africa (2002, 75th) – $193,221 ($457,474 total)
  17. My Big Fat Greek Wedding (2002, 75th) – $16,725 ($418,387,950 total)
  18. The Crime of Father Amaro (2002, 75th) – $16,722 ($9,858,677 total)
  19. Spirited Away (2002, 75th) – $8,684 ($9,732,660 total)
  20. Zus & Zo (2002, 75th) – $3,102 ($85,728 total)

Oscar Details:

  • About Schmidt (2002, 75th): Actor (Jack Nicholson), Supporting Actress (Kathy Bates)
  • Adaptation. (2002, 75th): Actor (Nicoals Cage), Supporting Actor (Chris Cooper) [O], Supporting Actress (Meryl Streep), Adapted Screenplay
  • Bowling for Columbine (2002, 75th): Documentary Feature [O]
  • Catch Me If You Can (2002, 75th): Supporting Actor (Christopher Walken), Original Score
  • Chicago (2002, 75th): Picture [O], Director, Actress (Renee Zellweger), Supporting Actor (John C. Reilly), Supporting Actress (Catherine Zeta-Jones [O], Queen Latifah), Adapted Screenplay, Original Song (“I Move On”), Film Editing [O], Cinematography, Art Direction [O], Costume Design [O], Sound [O]
  • City of God (2003, 76th): Director, Adapted Screenplay, Film Editing, Cinematography
  • The Crime of Father Amaro (2002, 75th): Foreign Language Film
  • Far From Heaven (2002, 75th): Actress (Julianne Moore), Original Screenplay, Original Score, Cinematography
  • Frida (2002, 75th): Actress, Original Score [O], Original Song (“Burn It Blue”), Art Direction, Costume Design, Makeup [O]
  • Gangs of New York (2002, 75th): Picture, Director, Actor (Daniel Day-Lewis), Original Screenplay, Original Song (“The Hands That Built America”), Film Editing, Cinematography, Art Direction, Costume Design, Sound
  • The Hours (2002, 75th): Picture, Director, Actress (Nicole Kidman) [O], Supporting Actor (Ed Harris), Supporting Actress (Julianne Moore), Adapted Screenplay, Original Score, Film Editing, Costume Design
  • The Lord of the Rings: The Two Towers (2002, 75th): Picture, Film Editing, Art Direction, Sound, Sound Film Editing [O], Visual Effects [O]
  • My Big Fat Greek Wedding (2002, 75th): Original Screenplay
  • Nowhere in Africa (2002, 75th): Foreign Language Film [O]
  • The Pianist (2002, 75th): Picture, Director [O], Actor (Adrien Brody) [O], Adapted Screenplay [O], Film Editing, Cinematography, Costume Design
  • The Quiet American (2002, 75th): Actor (Michael Caine)
  • Spirited Away (2002, 75th): Animated Feature [O]
  • Talk to Her (2002, 75th): Director, Original Screenplay [O]
  • The Wild Thornberrys Movie (2002, 75th): Original Song (“Father and Daughter”)
  • Zus & Zo (2002, 75th): Foreign Language Film

25 Years Ago: The Weekend of Mar. 20-22, 1998

Weekend Box Office:

  1. Titanic (1997, 70th) – $17,165,239 ($494,514,331 total) {week 14}
  2. Primary Colors (1998, 71st) – $12,045,395 ($12,045,395 total) {week 1}
  3. Primary Colors (1998, 71st) – $12,045,395 ($12,045,395 total) {week 1}
  4. Good Will Hunting (1997, 70th) – $4,026,752 ($115,597,415 total) {week 16}
  5. As Good As It Gets (1997, 70th) – $3,260,123 ($125,803,127 total) {week 13}
  6. L.A. Confidential (1997, 70th) – $1,496,331 ($57,505,024 total) {week 13}
  7. The Apostle (1997, 70th) – $1,169,836 ($16,636,186 total) {week 10}
  8. Amistad (1997, 70th) – $213,748 ($43,935,837 total) {week 15}
  9. The Full Monty (1997, 70th) – $364,703 ($44,288,450 total) {week 25}

Weekend Box Office (Adjusted for Inflation):

  1. Titanic (1997, 70th) – $38,246,641 ($1,101,849,629 total)
  2. Primary Colors (1998, 71st) – $26,838,887 ($26,838,887 total)
  3. Primary Colors (1998, 71st) – $26,838,887 ($26,838,887 total)
  4. Good Will Hunting (1997, 70th) – $8,972,187 ($257,567,801 total)
  5. As Good As It Gets (1997, 70th) – $7,264,027 ($280,307,607 total)
  6. L.A. Confidential (1997, 70th) – $3,334,042 ($128,129,531 total)
  7. The Apostle (1997, 70th) – $2,606,564 ($37,067,834 total)
  8. Amistad (1997, 70th) – $476,262 ($97,895,415 total)
  9. The Full Monty (1997, 70th) – $812,611 ($98,681,088 total)

Oscar Details:

  • Amistad (1997, 70th): Supporting Actor (Anthony Hopkins), Original Score, Cinematography, Costume Design
  • The Apostle (1997, 70th): Actor (Robert Duvall)
  • As Good As It Gets (1997, 70th): Picture, Actor (Jack Nicholson) [O], Actress (Helen Hunt) [O], Supporting Actor (Greg Kinnear), Original Screenplay, Original Musical or Comedy Score, Film Editing
  • The Full Monty (1997, 70th): Picture, Director, Original Screenplay, Original Musical or Comedy Score [O]
  • Good Will Hunting (1997, 70th): Picture, Director, Actor (Matt Damon), Supporting Actor (Robin Williams) [O], Supporting Actress (Minnie Driver), Original Screenplay [O], Original Dramatic Score, Original Song (“Miss Misery”), Film Editing
  • L.A. Confidential (1997, 70th): Picture, Director, Supporting Actress (Kim Basinger) [O], Adapted Screenplay [O], Original Dramatic Score, Film Editing, Cinematography, Art Direction, Sound
  • Primary Colors (1998, 71st): Supporting Actress (Kathy Bates), Adapted Screenplay
  • Primary Colors (1998, 71st): Supporting Actress (Kathy Bates), Adapted Screenplay
  • Titanic (1997, 70th): Picture [O], Director [O], Actress (Kate Winslet), Supporting Actress (Gloria Stuart), Original Dramatic Score [O], Original Song (“My Heart Will Go On”) [O], Film Editing [O], Cinematography [O], Art Direction [O], Costume Design [O], Makeup, Sound [O], Sound Film Editing [O], Visual Effects [O]

30 Years Ago: The Weekend of Mar. 19-21, 1993

Weekend Box Office:

  1. The Crying Game (1992, 65th) – $3,347,418 ($43,042,582 total) {week 17}
  2. Aladdin (1992, 65th) – $1,895,852 ($193,441,909 total) {week 19}
  3. Scent of a Woman (1992, 65th) – $1,203,705 ($50,806,259 total) {week 13}
  4. Unforgiven (1992, 65th) – $561,027 ($81,706,102 total) {week 33}

Weekend Box Office (Adjusted for Inflation):

  1. The Crying Game (1992, 65th) – $8,449,401 ($108,646,131 total)
  2. Aladdin (1992, 65th) – $4,785,424 ($488,277,282 total)
  3. Scent of a Woman (1992, 65th) – $3,038,338 ($128,242,852 total)
  4. Unforgiven (1992, 65th) – $1,416,119 ($206,238,832 total)

Oscar Details:

  • Aladdin (1992, 65th): Original Song (“A Whole New World” [O], “Friend Like Me”), Original Score [O], Sound, Sound Effects
  • The Crying Game (1992, 65th): Picture, Director, Actor (Stephen Rea), Supporting Actor (Jaye Davidson), Original Screenplay [O], Film Editing
  • Scent of a Woman (1992, 65th): Picture, Director, Actor (Al Pacino) [O], Adapted Screenplay
  • Unforgiven (1992, 65th): Picture [O], Director [O], Actor (Clint Eastwood), Supporting Actor (Gene Hackman) [O], Original Screenplay, Film Editing [O], Cinematography, Art Direction, Sound

35 Years Ago: The Weekend of Mar. 18-20, 1988

Weekend Box Office:

  1. Good Morning, Vietnam (1987, 60th) – $4,030,848 ($96,624,788 total) {week 13}
  2. Moonstruck (1987, 60th) – $2,324,615 ($52,614,427 total) {week 14}
  3. The Last Emperor (1987, 60th) – $879,913 ($22,149,384 total) {week 18}
  4. The Milagro Beanfield War (1988, 61st) – $47,271 ($47,271 total) {week 1}
  5. Stand and Deliver (1988, 61st) – $611,372 ($1,146,512 total) {week 2}
  6. The Unbearable Lightness of Being (1988, 61st) – $464,240 ($3,736,653 total) {week 7}

Weekend Box Office (Adjusted for Inflation):

  1. Good Morning, Vietnam (1987, 60th) – $10,248,750 ($245,676,164 total)
  2. Moonstruck (1987, 60th) – $5,910,517 ($133,776,341 total)
  3. The Last Emperor (1987, 60th) – $2,237,248 ($56,316,560 total)
  4. The Milagro Beanfield War (1988, 61st) – $120,190 ($120,190 total)
  5. Stand and Deliver (1988, 61st) – $1,554,462 ($2,915,097 total)
  6. The Unbearable Lightness of Being (1988, 61st) – $1,180,367 ($9,500,736 total)

Oscar Details:

  • Good Morning, Vietnam (1987, 60th): Actor (Robin Williams)
  • The Last Emperor (1987, 60th): Picture [O], Director [O], Adapted Screenplay [O], Original Score [O], Film Editing [O], Cinematography [O], Art Direction [O], Costume Design [O], Sound [O]
  • The Milagro Beanfield War (1988, 61st): Original Score [O]
  • Moonstruck (1987, 60th): Picture, Director, Actress (Cher) [O], Supporting Actor (Vincent Gardenia), Supporting Actress (Olympia Dukakis) [O], Original Screenplay
  • Stand and Deliver (1988, 61st): Actor (Edward James Olmos)
  • The Unbearable Lightness of Being (1988, 61st): Adapted Screenplay, Cinematography

40 Years Ago: The Weekend of Mar. 25-27, 1983

Weekend Box Office:

  1. Tootsie (1982, 55th) – $3,127,164 ($143,212,352 total) {week 15}
  2. Gandhi (1982, 55th) – $1,565,567 ($33,684,518 total) {week 16}
  3. The Verdict (1982, 55th) – $430,886 ($50,159,494 total) {week 16}
  4. An Officer and a Gentleman (1982, 55th) – $380,638 ($122,195,017 total) {week 35}
  5. E.T. The Extra-Terrestrial (1982, 55th) – $536,129 ($338,601,802 total) {week 42}

Weekend Box Office (Adjusted for Inflation):

  1. Tootsie (1982, 55th) – $10,374,242 ($475,101,295 total)
  2. Gandhi (1982, 55th) – $5,193,706 ($111,747,052 total)
  3. The Verdict (1982, 55th) – $1,429,447 ($166,402,131 total)
  4. An Officer and a Gentleman (1982, 55th) – $1,262,751 ($405,377,120 total)
  5. E.T. The Extra-Terrestrial (1982, 55th) – $1,778,587 ($1,123,298,042 total)

Oscar Details:

  • E.T. The Extra-Terrestrial (1982, 55th): Picture, Director, Original Screenplay, Original Score [O], Film Editing, Cinematography, Sound [O], Sound Effects [O], Visual Effects [O]
  • Gandhi (1982, 55th): Picture [O], Director [O], Actor (Ben Kingsley) [O], Original Screenplay [O], Original Score, Film Editing [O], Cinematography [O], Art Direction [O], Costume Design [O], Makeup, Sound
  • An Officer and a Gentleman (1982, 55th): Actress (Debra Winger), Supporting Actor (Louis Gossett Jr) [O], Original Screenplay, Original Song (“Up Where We Belong”) [O], Original Score, Film Editing
  • Tootsie (1982, 55th): Picture, Director, Actor (Dustin Hoffman), Supporting Actress (Jessica Lange) [O], Supporting Actress (Teri Garr), Original Screenplay, Original Song (“It Might Be You”), Film Editing, Cinematography, Sound
  • The Verdict (1982, 55th): Picture, Director, Actor (Paul Newman), Supporting Actor (James Mason), Adapted Screenplay

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