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Every week, we’ll take a look back in 5-year intervals at the box office past to explore how Oscar’s nominees were doing at the box office each weekend historically. The first section under each year is the positioning of all Oscar nominees during that weekend at the box office (as well as a section looking at the inflation-adjusted numbers). The third section is an alphabetical list of those films and the categories in which they were nominated.

5 Years Ago: The Weekend of Apr. 27-29, 2018

Weekend Box Office:

  1. Avengers: Infinity War (2018, 91st) – $257,698,183 ($257,698,183 total) {week 1}
  2. A Quiet Place (2018, 91st) – $11,004,977 ($148,528,278 total) {week 4}
  3. Black Panther (2018, 91st) – $4,736,428 ($688,364,917 total) {week 11}
  4. Ready Player One (2018, 91st) – $2,563,325 ($130,811,543 total) {week 5}
  5. Isle of Dogs (2018, 91st) – $1,427,275 ($27,047,998 total) {week 6}
  6. The Greatest Showman (2017, 90th) – $96,186 ($173,675,694 total) {week 19}
  7. Ferdinand (2017, 90th) – $14,104 ($84,349,078 total) {week 20}
  8. A Fantastic Woman (2017, 90th) – $9,384 ($1,995,221 total) {week 11}
  9. The Post (2017, 90th) – $8,779 ($81,886,203 total) {week 19}
  10. Three Billboards Outside Ebbing, Missouri (2017, 90th) – $6,807 ($54,506,962 total) {week 25}
  11. Loveless (2017, 90th) – $5,132 ($560,194 total) {week 11}
  12. The Shape of Water (2017, 90th) – $3,689 ($63,856,674 total) {week 22}

Weekend Box Office (Adjusted for Inflation):

  1. Avengers: Infinity War (2018, 91st) – $295,603,294 ($295,603,294 total)
  2. A Quiet Place (2018, 91st) – $12,623,711 ($170,375,467 total)
  3. Black Panther (2018, 91st) – $5,433,114 ($789,617,276 total)
  4. Ready Player One (2018, 91st) – $2,940,367 ($150,052,758 total)
  5. Isle of Dogs (2018, 91st) – $1,637,214 ($31,026,518 total)
  6. The Greatest Showman (2017, 90th) – $110,334 ($199,221,844 total)
  7. Ferdinand (2017, 90th) – $16,179 ($96,756,077 total)
  8. A Fantastic Woman (2017, 90th) – $10,764 ($2,288,700 total)
  9. The Post (2017, 90th) – $10,070 ($93,930,935 total)
  10. Three Billboards Outside Ebbing, Missouri (2017, 90th) – $7,808 ($62,524,451 total)
  11. Loveless (2017, 90th) – $5,887 ($642,594 total)
  12. The Shape of Water (2017, 90th) – $4,232 ($73,249,423 total)

Oscar Details:

  • Avengers: Infinity War (2018, 91st): Visual Effects
  • Black Panther (2018, 91st): Picture, Original Song (“All the Stars”), Original Score [O], Production Design [O], Costume Design [O], Sound Mixing, Sound Film Editing
  • A Fantastic Woman (2017, 90th): Foreign Language Film [O]
  • Ferdinand (2017, 90th): Animated Feature
  • The Greatest Showman (2017, 90th): Original Song (“This Is Me”)
  • Isle of Dogs (2018, 91st): Animated Feature, Original Score
  • Loveless (2017, 90th): Foreign Language Film
  • The Post (2017, 90th): Picture, Actress (Meryl Streep)
  • A Quiet Place (2018, 91st): Sound Film Editing
  • Ready Player One (2018, 91st): Visual Effects
  • The Shape of Water (2017, 90th): Picture [O], Directing [O], Actress (Sally Hawkins), Supporting Actor (Richard Jenkins), Supporting Actress (Octavia Spencer), Original Screenplay, Original Score [O], Film Editing, Cinematography, Production Design [O], Costume Design, Sound Mixing, Sound Film Editing
  • Three Billboards Outside Ebbing, Missouri (2017, 90th): Picture, Actress (Frances McDormand) [O], Supporting Actor (Woody Harrelson), Supporting Actor (Sam Rockwell) [O], Original Screenplay, Original Score, Film Editing

10 Years Ago: The Weekend of Apr. 26-28, 2013

Weekend Box Office:

  1. The Croods (2013, 86th) – $6,726,918 ($163,151,701 total) {week 6}
  2. Silver Linings Playbook (2012, 85th) – $197,626 ($131,422,968 total) {week 24}
  3. Life of Pi (2012, 85th) – $80,301 ($124,666,513 total) {week 23}
  4. No (2012, 85th) – $68,857 ($2,137,084 total) {week 11}
  5. Wreck-It Ralph (2012, 85th) – $35,847 ($189,412,677 total) {week 26}
  6. Kon-Tiki (2012, 85th) – $22,168 ($22,168 total) {week 1}
  7. Django Unchained (2012, 85th) – $14,660 ($162,789,432 total) {week 18}
  8. The Gatekeepers (2012, 85th) – $12,272 ($2,342,248 total) {week 13}
  9. Searching for Sugar Man (2012, 85th) – $5,287 ($3,648,145 total) {week 40}
  10. Amour (2012, 85th) – $2,999 ($6,731,552 total) {week 19}
  11. A Royal Affair (2012, 85th) – $1,733 ($1,545,726 total) {week 25}

Weekend Box Office (Adjusted for Inflation):

  1. The Croods (2013, 86th) – $8,646,531 ($209,709,136 total)
  2. Silver Linings Playbook (2012, 85th) – $254,021 ($168,926,201 total)
  3. Life of Pi (2012, 85th) – $103,216 ($160,241,705 total)
  4. No (2012, 85th) – $88,506 ($2,746,928 total)
  5. Wreck-It Ralph (2012, 85th) – $46,076 ($243,464,019 total)
  6. Kon-Tiki (2012, 85th) – $28,494 ($28,494 total)
  7. Django Unchained (2012, 85th) – $18,843 ($209,243,489 total)
  8. The Gatekeepers (2012, 85th) – $15,774 ($3,010,639 total)
  9. Searching for Sugar Man (2012, 85th) – $6,796 ($4,689,190 total)
  10. Amour (2012, 85th) – $3,855 ($8,652,487 total)
  11. A Royal Affair (2012, 85th) – $2,228 ($1,986,819 total)

Oscar Details:

  • Amour (2012, 85th): Picture, Directing, Actress (Emmanuelle Riva), Original Screenplay, Foreign Language Film [O]
  • The Croods (2013, 86th): Animated Feature
  • Django Unchained (2012, 85th): Picture, Supporting Actor (Christoph Waltz) [O], Original Screenplay [O], Cinematography, Sound Film Editing
  • The Gatekeepers (2012, 85th): Documentary Feature
  • Kon-Tiki (2012, 85th): Foreign Language Film
  • Life of Pi (2012, 85th): Picture, Directing [O], Adapted Screenplay, Original Song (“Pi’s Lullaby”), Original Score [O], Film Editing, Cinematography [O], Production Design, Sound Mixing, Sound Film Editing, Visual Effects [O]
  • No (2012, 85th): Foreign Language Film
  • A Royal Affair (2012, 85th): Foreign Language Film
  • Searching for Sugar Man (2012, 85th): Documentary Feature [O]
  • Silver Linings Playbook (2012, 85th): Picture, Directing, Actor (Bradley Cooper), Actress (Jennifer Lawrence) [O], Supporting Actor (Robert De Niro), Supporting Actress (Jacki Weaver), Adapted Screenplay, Film Editing
  • Wreck-It Ralph (2012, 85th): Animated Feature

15 Years Ago: The Weekend of Apr. 25-27, 2008

Weekend Box Office:

  1. The Visitor (2008, 81st) – $477,711 ($826,290 total) {week 3}
  2. The Counterfeiters (2007, 80th) – $268,200 ($4,132,459 total) {week 10}
  3. In Bruges (2008, 81st) – $77,245 ($7,399,059 total) {week 12}
  4. Juno (2007, 80th) – $73,997 ($143,380,890 total) {week 21}
  5. Persepolis (2007, 80th) – $18,850 ($4,401,845 total) {week 18}
  6. There Will Be Blood (2007, 80th) – $5,072 ($40,218,903 total) {week 18}
  7. Taxi to the Dark Side (2007, 80th) – $4,725 ($258,473 total) {week 15}
  8. The Savages (2007, 80th) – $2,803 ($6,610,326 total) {week 22}
  9. Beaufort (2007, 80th) – $2,672 ($95,426 total) {week 15}

Weekend Box Office (Adjusted for Inflation):

  1. The Visitor (2008, 81st) – $695,276 ($1,202,609 total)
  2. The Counterfeiters (2007, 80th) – $390,347 ($6,014,512 total)
  3. In Bruges (2008, 81st) – $112,425 ($10,768,825 total)
  4. Juno (2007, 80th) – $107,698 ($208,681,100 total)
  5. Persepolis (2007, 80th) – $27,435 ($6,406,585 total)
  6. There Will Be Blood (2007, 80th) – $7,382 ($58,535,869 total)
  7. Taxi to the Dark Side (2007, 80th) – $6,877 ($376,190 total)
  8. The Savages (2007, 80th) – $4,080 ($9,620,878 total)
  9. Beaufort (2007, 80th) – $3,889 ($138,886 total)

Oscar Details:

  • Beaufort (2007, 80th): Foreign Language Film
  • The Counterfeiters (2007, 80th): Foreign Language Film [O]
  • In Bruges (2008, 81st): Original Screenplay
  • Juno (2007, 80th): Picture, Director, Actress (Ellen Page), Original Screenplay [O]
  • Persepolis (2007, 80th): Animated Feature
  • The Savages (2007, 80th): Actress (Laura Linney), Original Screenplay
  • Taxi to the Dark Side (2007, 80th): Documentary Feature [O]
  • There Will Be Blood (2007, 80th): Picture, Director, Actor (Daniel Day-Lewis) [O], Adapted Screenplay, Film Editing, Cinematography [O], Art Direction, Sound Film Editing
  • The Visitor (2008, 81st): Actor (Richard Jenkins)

20 Years Ago: The Weekend of Apr. 25-27, 2003

Weekend Box Office:

  1. Chicago (2002, 75th) – $1,584,015 ($163,500,278 total) {week 18}
  2. A Mighty Wind (2003, 76th) – $1,363,232 ($4,750,088 total) {week 2}
  3. The Pianist (2002, 75th) – $550,119 ($31,243,225 total) {week 18}
  4. Nowhere in Africa (2002, 75th) – $295,741 ($2,416,300 total) {week 8}
  5. The Lord of the Rings: The Two Towers (2002, 75th) – $247,078 ($337,949,941 total) {week 19}
  6. The Quiet American (2002, 75th) – $183,641 ($12,289,268 total) {week 23}
  7. Bowling for Columbine (2002, 75th) – $108,207 ($21,012,472 total) {week 29}
  8. About Schmidt (2002, 75th) – $92,168 ($64,706,199 total) {week 20}
  9. City of God (2003, 76th) – $80,763 ($3,797,334 total) {week 15}
  10. The Man Without a Past (2002, 75th) – $75,300 ($235,735 total) {week 4}
  11. The Hours (2002, 75th) – $57,802 ($41,341,235 total) {week 18}
  12. Talk to Her (2002, 75th) – $51,991 ($9,137,479 total) {week 23}
  13. Catch Me If You Can (2002, 75th) – $34,708 ($164,504,009 total) {week 18}
  14. Winged Migration (2002, 75th) – $31,802 ($84,436 total) {week 2}
  15. Spirited Away (2002, 75th) – $25,972 ($9,934,369 total) {week 32}
  16. Frida (2002, 75th) – $25,365 ($25,829,386 total) {week 27}
  17. Adaptation. (2002, 75th) – $17,409 ($22,296,619 total) {week 21}
  18. Gangs of New York (2002, 75th) – $8,492 ($77,722,000 total) {week 19}
  19. Far From Heaven (2002, 75th) – $2,010 ($15,896,850 total) {week 25}
  20. The Wild Thornberrys Movie (2002, 75th) – $1,296 ($39,880,269 total) {week 19}
  21. The Crime of Father Amaro (2002, 75th) – $1,131 ($5,716,300 total) {week 24}

Weekend Box Office (Adjusted for Inflation):

  1. Chicago (2002, 75th) – $2,745,101 ($283,346,253 total)
  2. A Mighty Wind (2003, 76th) – $2,362,483 ($8,231,910 total)
  3. The Pianist (2002, 75th) – $953,357 ($54,144,561 total)
  4. Nowhere in Africa (2002, 75th) – $512,520 ($4,187,452 total)
  5. The Lord of the Rings: The Two Towers (2002, 75th) – $428,187 ($585,667,808 total)
  6. The Quiet American (2002, 75th) – $318,250 ($21,297,322 total)
  7. Bowling for Columbine (2002, 75th) – $187,523 ($36,414,649 total)
  8. About Schmidt (2002, 75th) – $159,727 ($112,135,950 total)
  9. City of God (2003, 76th) – $139,962 ($6,580,786 total)
  10. The Man Without a Past (2002, 75th) – $130,495 ($408,529 total)
  11. The Hours (2002, 75th) – $100,171 ($71,644,429 total)
  12. Talk to Her (2002, 75th) – $90,100 ($15,835,266 total)
  13. Catch Me If You Can (2002, 75th) – $60,149 ($285,085,720 total)
  14. Winged Migration (2002, 75th) – $55,113 ($146,328 total)
  15. Spirited Away (2002, 75th) – $45,010 ($17,216,278 total)
  16. Frida (2002, 75th) – $43,958 ($44,762,369 total)
  17. Adaptation. (2002, 75th) – $30,170 ($38,640,078 total)
  18. Gangs of New York (2002, 75th) – $14,717 ($134,692,355 total)
  19. Far From Heaven (2002, 75th) – $3,483 ($27,549,267 total)
  20. The Wild Thornberrys Movie (2002, 75th) – $2,246 ($69,112,572 total)
  21. The Crime of Father Amaro (2002, 75th) – $1,960 ($9,906,357 total)

Oscar Details:

  • About Schmidt (2002, 75th): Actor (Jack Nicholson), Supporting Actress (Kathy Bates)
  • Adaptation. (2002, 75th): Actor (Nicoals Cage), Supporting Actor (Chris Cooper) [O], Supporting Actress (Meryl Streep), Adapted Screenplay
  • Bowling for Columbine (2002, 75th): Documentary Feature [O]
  • Catch Me If You Can (2002, 75th): Supporting Actor (Christopher Walken), Original Score
  • Chicago (2002, 75th): Picture [O], Director, Actress (Renee Zellweger), Supporting Actor (John C. Reilly), Supporting Actress (Catherine Zeta-Jones [O], Queen Latifah), Adapted Screenplay, Original Song (“I Move On”), Film Editing [O], Cinematography, Art Direction [O], Costume Design [O], Sound [O]
  • City of God (2003, 76th): Director, Adapted Screenplay, Film Editing, Cinematography
  • The Crime of Father Amaro (2002, 75th): Foreign Language Film
  • Far From Heaven (2002, 75th): Actress (Julianne Moore), Original Screenplay, Original Score, Cinematography
  • Frida (2002, 75th): Actress, Original Score [O], Original Song (“Burn It Blue”), Art Direction, Costume Design, Makeup [O]
  • Gangs of New York (2002, 75th): Picture, Director, Actor (Daniel Day-Lewis), Original Screenplay, Original Song (“The Hands That Built America”), Film Editing, Cinematography, Art Direction, Costume Design, Sound
  • The Hours (2002, 75th): Picture, Director, Actress (Nicole Kidman) [O], Supporting Actor (Ed Harris), Supporting Actress (Julianne Moore), Adapted Screenplay, Original Score, Film Editing, Costume Design
  • The Lord of the Rings: The Two Towers (2002, 75th): Picture, Film Editing, Art Direction, Sound, Sound Film Editing [O], Visual Effects [O]
  • The Man Without a Past (2002, 75th): Foreign Language Film
  • A Mighty Wind (2003, 76th): Original Song (“A Kiss at the End of the Rainbow”)
  • Nowhere in Africa (2002, 75th): Foreign Language Film [O]
  • The Pianist (2002, 75th): Picture, Director [O], Actor (Adrien Brody) [O], Adapted Screenplay [O], Film Editing, Cinematography, Costume Design
  • The Quiet American (2002, 75th): Actor (Michael Caine)
  • Spirited Away (2002, 75th): Animated Feature [O]
  • Talk to Her (2002, 75th): Director, Original Screenplay [O]
  • The Wild Thornberrys Movie (2002, 75th): Original Song (“Father and Daughter”)
  • Winged Migration (2002, 75th): Documentary Feature

25 Years Ago: The Weekend of Apr. 24-26, 1998

Weekend Box Office:

  1. Titanic (1997, 70th) – $4,938,575 ($560,615,350 total) {week 19}
  2. As Good As It Gets (1997, 70th) – $1,054,333 ($143,556,984 total) {week 18}
  3. Good Will Hunting (1997, 70th) – $1,033,604 ($133,038,103 total) {week 21}
  4. Primary Colors (1998, 71st) – $833,400 ($36,379,432 total) {week 6}
  5. Amistad (1997, 70th) – $1,418 ($44,225,362 total) {week 20}

Weekend Box Office (Adjusted for Inflation):

  1. Titanic (1997, 70th) – $11,003,861 ($1,249,132,283 total)
  2. As Good As It Gets (1997, 70th) – $2,349,207 ($319,865,775 total)
  3. Good Will Hunting (1997, 70th) – $2,303,020 ($296,428,183 total)
  4. Primary Colors (1998, 71st) – $1,856,936 ($81,058,649 total)
  5. Amistad (1997, 70th) – $3,160 ($98,540,519 total)

Oscar Details:

  • Amistad (1997, 70th): Supporting Actor (Anthony Hopkins), Original Score, Cinematography, Costume Design
  • As Good As It Gets (1997, 70th): Picture, Actor (Jack Nicholson) [O], Actress (Helen Hunt) [O], Supporting Actor (Greg Kinnear), Original Screenplay, Original Musical or Comedy Score, Film Editing
  • Good Will Hunting (1997, 70th): Picture, Director, Actor (Matt Damon), Supporting Actor (Robin Williams) [O], Supporting Actress (Minnie Driver), Original Screenplay [O], Original Dramatic Score, Original Song (“Miss Misery”), Film Editing
  • Primary Colors (1998, 71st): Supporting Actress (Kathy Bates), Adapted Screenplay
  • Titanic (1997, 70th): Picture [O], Director [O], Actress (Kate Winslet), Supporting Actress (Gloria Stuart), Original Dramatic Score [O], Original Song (“My Heart Will Go On”) [O], Film Editing [O], Cinematography [O], Art Direction [O], Costume Design [O], Makeup, Sound [O], Sound Film Editing [O], Visual Effects [O]

30 Years Ago: The Weekend of Apr. 23-25, 1993

Weekend Box Office:

  1. The Crying Game (1992, 65th) – $1,206,647 ($58,898,833 total) {week 22}
  2. A Few Good Men (1992, 65th) – $951,085 ($136,894,962 total) {week 20}
  3. Scent of a Woman (1992, 65th) – $659,695 ($58,912,464 total) {week 18}
  4. Unforgiven (1992, 65th) – $945,108 ($92,501,637 total) {week 38}

Weekend Box Office (Adjusted for Inflation):

  1. The Crying Game (1992, 65th) – $3,045,764 ($148,669,760 total)
  2. A Few Good Men (1992, 65th) – $2,400,686 ($345,544,047 total)
  3. Scent of a Woman (1992, 65th) – $1,665,172 ($148,704,166 total)
  4. Unforgiven (1992, 65th) – $2,385,599 ($233,488,432 total)

Oscar Details:

  • The Crying Game (1992, 65th): Picture, Director, Actor (Stephen Rea), Supporting Actor (Jaye Davidson), Original Screenplay [O], Film Editing
  • A Few Good Men (1992, 65th): Picture, Supporting Actor (Jack Nicholson), Film Editing, Sound
  • Scent of a Woman (1992, 65th): Picture, Director, Actor (Al Pacino) [O], Adapted Screenplay
  • Unforgiven (1992, 65th): Picture [O], Director [O], Actor (Clint Eastwood), Supporting Actor (Gene Hackman) [O], Original Screenplay, Film Editing [O], Cinematography, Art Direction, Sound

35 Years Ago: The Weekend of Apr. 22-24, 1988

Weekend Box Office:

  1. Beetlejuice (1988, 61st) – $6,201,234 ($40,362,058 total) {week 4}
  2. The Last Emperor (1987, 60th) – $2,597,418 ($33,097,200 total) {week 23}
  3. Moonstruck (1987, 60th) – $2,339,002 ($66,885,111 total) {week 19}
  4. Good Morning, Vietnam (1987, 60th) – $1,467,448 ($113,664,420 total) {week 18}
  5. The Milagro Beanfield War (1988, 61st) – $1,464,450 ($4,972,379 total) {week 6}
  6. Stand and Deliver (1988, 61st) – $1,017,020 ($7,827,110 total) {week 7}

Weekend Box Office (Adjusted for Inflation):

  1. Beetlejuice (1988, 61st) – $15,767,128 ($102,623,724 total)
  2. The Last Emperor (1987, 60th) – $6,604,141 ($84,152,248 total)
  3. Moonstruck (1987, 60th) – $5,947,098 ($170,060,684 total)
  4. Good Morning, Vietnam (1987, 60th) – $3,731,103 ($289,000,776 total)
  5. The Milagro Beanfield War (1988, 61st) – $3,723,480 ($12,642,667 total)
  6. Stand and Deliver (1988, 61st) – $2,585,854 ($19,901,046 total)

Oscar Details:

  • Beetlejuice (1988, 61st): Makeup [O]
  • Good Morning, Vietnam (1987, 60th): Actor (Robin Williams)
  • The Last Emperor (1987, 60th): Picture [O], Director [O], Adapted Screenplay [O], Original Score [O], Film Editing [O], Cinematography [O], Art Direction [O], Costume Design [O], Sound [O]
  • The Milagro Beanfield War (1988, 61st): Original Score [O]
  • Moonstruck (1987, 60th): Picture, Director, Actress (Cher) [O], Supporting Actor (Vincent Gardenia), Supporting Actress (Olympia Dukakis) [O], Original Screenplay
  • Stand and Deliver (1988, 61st): Actor (Edward James Olmos)

40 Years Ago: The Weekend of Apr. 29-May 1, 1983

Weekend Box Office:

  1. Flashdance (1983, 56th) – $4,095,000 ($15,352,325 total) {week 3}
  2. Tootsie (1982, 55th) – $1,951,612 ($161,414,932 total) {week 20}
  3. Gandhi (1982, 55th) – $1,303,096 ($47,418,460 total) {week 21}
  4. E.T. The Extra-Terrestrial (1982, 55th) – $852,950 ($347,043,083 total) {week 47}
  5. Tender Mercies (1983, 56th) – $117,238 ($534,934 total) {week 7}
  6. An Officer and a Gentleman (1982, 55th) – $438,974 ($125,526,007 total) {week 40}
  7. The Verdict (1982, 55th) – $346,759 ($53,663,069 total) {week 21}

Weekend Box Office (Adjusted for Inflation):

  1. Flashdance (1983, 56th) – $13,585,000 ($50,930,729 total)
  2. Tootsie (1982, 55th) – $6,474,395 ($535,487,632 total)
  3. Gandhi (1982, 55th) – $4,322,969 ($157,308,859 total)
  4. E.T. The Extra-Terrestrial (1982, 55th) – $2,829,628 ($1,151,301,656 total)
  5. Tender Mercies (1983, 56th) – $388,932 ($1,774,622 total)
  6. An Officer and a Gentleman (1982, 55th) – $1,456,279 ($416,427,547 total)
  7. The Verdict (1982, 55th) – $1,150,359 ($178,025,102 total)

Oscar Details:

  • E.T. The Extra-Terrestrial (1982, 55th): Picture, Director, Original Screenplay, Original Score [O], Film Editing, Cinematography, Sound [O], Sound Effects [O], Visual Effects [O]
  • Flashdance (1983, 56th): Original Song (“Flashdanceโ€ฆWhat a Feeling”) [O], Original Song (“Maniac”), Film Editing, Cinematography
  • Gandhi (1982, 55th): Picture [O], Director [O], Actor (Ben Kingsley) [O], Original Screenplay [O], Original Score, Film Editing [O], Cinematography [O], Art Direction [O], Costume Design [O], Makeup, Sound
  • An Officer and a Gentleman (1982, 55th): Actress (Debra Winger), Supporting Actor (Louis Gossett Jr) [O], Original Screenplay, Original Song (“Up Where We Belong”) [O], Original Score, Film Editing
  • Tender Mercies (1983, 56th): Picture, Director, Actor (Robert Duvall) [O], Original Screenplay [O], Original Song (“Over You”)
  • Tootsie (1982, 55th): Picture, Director, Actor (Dustin Hoffman), Supporting Actress (Jessica Lange) [O], Supporting Actress (Teri Garr), Original Screenplay, Original Song (“It Might Be You”), Film Editing, Cinematography, Sound
  • The Verdict (1982, 55th): Picture, Director, Actor (Paul Newman), Supporting Actor (James Mason), Adapted Screenplay

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