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Tomorrow, the nominees for the Directors Guild of America awards will be announced. We took a poll of contributors and here are the results and our thoughts on them. First, we’ll list the films we 100% agreed on. Then we’ll list the ones we didn’t.

Best Director @ The DGA

Full Agreement

Kathryn Bigelow – The Hurt Locker
James Cameron – Avatar
Jason Reitman – Up in the Air
Quentin Tarantino – Inglourious Basterds

Disagreements

Neill Blomkamp – District 9 (Wesley Lovell)
Lee Daniels – Precious (Tripp Burton, Wes Huizar)
Joel & Ethan Coen – A Serious Man (Peter Patrick)

Commentary

Tripp Burton – The Coens: With four nominees seemingly locked into place, this fifth place is completely up for grabs. I can think of at least 10 names that all seem as likely/unlikely to make it in, so I am going with the Coens, banking on the DGA going for respectable, proven auteurs in a film absolutely loved in many corners over shakier newcomers.
Wes Huizar – Precious has been one of the front-runners throughout the year and seems a sure bet for a Best Picture nomination. I’m not sure that Daniels will be nominated for Best Director at the Oscars, but the film would probably still be nominated with a slate of 5 nominees and he seems a stronger candidate right now than Clint Eastwood, who I see as his biggest threat. Also, even though his film isn’t as big or as visually spectacular as Cameron’s or Bigelow’s films, or as elegant as Tarantino’s work, he can direct actors very well, which will undoubtedly impress a lot of his peers.
Peter Patrick – Lee Daniels was an early favorite for Precious but the film has not performed as well as expected at the box office which some might say diminishes his chances. On the other hand, none of the big year-end films other than Avatar has produced a viable candidate so I still see him as a possibility.
Wesley Lovell – Performing more strongly than we had expected, District 9 is a director’s movie above all else. Blomkamp’s work has been praised nearly universally and the DGA does love to acknowledge the underdog and is far more willing to nominate new directors than the Academy.

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